Artnet
In the 2010s, Maryam Lawal, a British-Nigerian lawyer and lifelong art lover, recognised a gap in London’s booming art scene. During trips to Lagos and Accra, she often found herself immersed in spirited contemporary art scenes that were bursting with talent. But back in London, as she attended openings and went on weekend gallery viewings, it was as though these contemporary artists didn’t exist...
Caribbean Gothic (2019), Zoya Taylor