Zoya Taylor

Zoya Taylor

Last Day of Summer

82 x 65 cm

Acrylic and hand-painted paper on canvas

2019

Price available on request

Zoya Taylor

When Angels Fall

80 x 60 cm

Acrylic and hand-painted paper on canvas

2019

Zoya Taylor

Earth Girl

100 x 70 cm

Acrylic on canvas

2019

Price available on request

Zoya Taylor

Apprehensive But Unafraid

60 x 40 cm

Acrylic and hand-painted paper on wood board

2020

Price available on request

Zoya Taylor

History

100 x 80 cm

Oil on canvas

2013

Price available on request

Zoya Taylor

My Worlds

60 x 40 cm

Acrylic and hand-painted paper on wood board 

2020

Price available on request

Previous exhibitions and projects

Solo Exhibitions
 

  • Nordic Black Theatre, Oslo, Norway, 2018
     

  • From Shadowland to Wonderland, Hole Artcenter, Krokkleiva, Norway, 2016
     

  • Necessary Noise, Hole Artcenter, Krokkleiva, Norway, 2013
     

  • Spence Gallery, Toronto, Canada, 2012
     

  • Avisca Fine Art Gallery, Georgia, USA, 2010
     

  • 128 Gallerie, Kingston, Jamaica, 2008
     

  • Galleri Elenor Elenor Martinsen, Oslo, Norway, 2008
     

  • Bill Hodges Gallery, New York City, USA, 2007  
     

  • Gallery Twenty-Four, Berlin, Germany, 2006
     

  • GaleriaZero, Barcelona, Spain, 2005
     

  • Galleri Ramfjord, Oslo, Norway, 2005

About the artist


Zoya Taylor is a self-taught artist of mixed cultural heritage who currently resides in Oslo, Norway. Born in Vancouver, Canada, Zoya subsequently spent her early childhood in Germany and at the age of eight, moved with her parents to Kingston, Jamaica. Her time spent at the Institute of Jamaica’s National Gallery and at drawing classes as a teenager served as an early source of artistic inspiration for Zoya. Following a career in the social sciences, Zoya began painting full-time in 2000 and since then has participated in international exhibitions across Europe, the USA, Canada and Jamaica and featured in publications such as Vanity Fair (2019), Caribbean News Service (2015), The Gleaner (Jamaica) (2012) and Arc Magazine (2012).


Zoya has developed a highly individualistic style of figuration and an idiosyncratic body of work that largely centres on a recurring cast of characters drawn partly from memories from her childhood but also very much a product of her current psyche.

 


Sources of inspiration


Zoya’s inspiration is found within the evolutionary stages of human life; from the promise and innocence of infancy to each of the stages that follow. Zoya’s experiences growing up between different cultures, practices and languages are also a key source of inspiration for her work, which often looks into the challenges people face in terms of alienation, safety, difference and belonging. Shining a spotlight on the ‘misfits’ in society, Zoya seeks to address important questions of marginality and exclusion.

 


Artistic intentions


Zoya aims to explore the different facets of humanity in her work. She explores themes of secrecy, pride, fear, disappointment, grief and hurt - but also hope, humour and love. As a result, she paints imaginary subjects rather than individual portraits. The characters portrayed are unique and yet anonymous. She invites the viewer to strip away the defences behind which adults have learned to hide, to see themselves reflected in the works and ultimately, the commonality beneath our apparent differences.


My art falls somewhat outside the norm, but I guess that is only fitting. I paint the cast of characters who fill the spaces in between. We all have a cast of characters that define our lives. My cast is the cast of the misfit. They are the outsiders and the immigrants found between cultures, continents, languages and disciplines.

 


Going forward


"I try to constantly keep moving and evolving as an artist, and not to stagnate.  In terms of new work going forward, I don't intend to play it safe." – Zoya Taylor
 

 
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